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The musical, revived several times since its 1934 debut, features large tap dancing numbers that have made it a favorite with audiences. “I used to be a bit afraid that the amount of tap would scare kids away,” noted Moorhead, who is also doing the choreography. “There are moments in the show where everyone is tapping, and others where smaller groups are doing really challenging steps. But, the kids really took to it.”. Moorhead recalled how much students in Piedmont’s production of “A Chorus Line” loved the tap in that show.

Ceglio’s choreography also works most of the time, and it’s terrific to have good tap 10x wooden hanging ballet shoes craft shapes 3mm plywood with detail dancing in several numbers (choreographed by Stephanie Bayer, another ensemble member), Satterwhite is comedic gold as he slowly comes to the realization, thanks to Borchers’ delightful, fey interpretation of Prince Herbert, that’s he’s gay.  Wearing a shiny blond wig and frothy clothes, Borchers is very funny as he sings out, “Where Are You?” to his father’s consternation, As Satterwhite strips onstage to a sleeveless tee and stares incredulously at the dancers surrounding him, he and Borchers look genuinely gleeful that they are getting married..

SAN JOSE — Criminal defense attorney Michael E. Hingle, a tall, muscular man whose clients have included outlaw bikers and suspected drug dealers, likes to joke about his first role in a local ballet. The beanpole of a barrister made his debut in “The Toreador’’ — as a “horse’s ass.”. Eight years later, Hingle has now risen through the ranks of ballet extras to play a more dignified bit part — as “Mr. Posh,” one of the Christmas party guests in San Jose Dance Theatre’s current production of “The Nutcracker.’’ This time, the skinny lawyer gets to wear a tie and glide along the stage for about 26 minutes, instead of having to stoop over as he did in 2008 — with his face tucked under the costume of the dancer playing the horse’s front end and only his legs visible.

Both Moultrie and Pickett want dancers to bring their own creativity to the works, Moultrie says, “I love them to have freedom when it comes to their interpretation of roles, Smuin works together as a family, There’s synergy in the room.”, Adds Pickett, “Art stops living, when it becomes something fixed.”, Smuin Ballet provides a nurturing atmosphere for dancers, Fushille says, “We have a unique working environment in the studio, Some of my dancers that have recently come from other companies have talked to me about some of the fairly abusive environments in which had previously worked, But I learned from Michael that, if you give respect, you get that in return, and it’s a much more productive environment, He 10x wooden hanging ballet shoes craft shapes 3mm plywood with detail said, ‘No one works harder than the dancers.’ He respected the staff and production crew, But he had the most respect and appreciation for the dancers, I look for choreographers who can bring that spirit into the studio..

These ones are open to students as young as 4; for those at the other end of the age spectrum Nykan will offer “Rock ‘n’ World,” low-impact exercise featuring basic moves and music the likes of salsa and Elvis. The daughter of Fijian parents whose roots can be traced to India, the Canadian-born Nykan began studying classical Indian dance at 4. She focused on Bharata Natyam, the dominant style of classical dance in southern India and the oldest of its eight variations. At 13, she enrolled in an academy for students pursuing dance as a career even though Nykan says some family members didn’t consider it a viable vocation.