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No one-trick pony, Bates has composed for string quartet, a cappella chorus and other purely acoustic ensembles. But his electro-acoustic works — which often find him performing on drumpad and laptop, triggering beats and effects amid an orchestra’s percussion section — have made his name. It’s been said more than once that Bates has proven to be good bait for new audiences. Three years ago, the Chicago Symphony Orchestra and maestro Riccardo Muti appointed him as a composer-in-residence. Michael Tilson Thomas, who will lead a third week of Beethoven-and-Bates in September, has championed Bates since 2009. That’s when he premiered “The B-Sides,” to be encored at this month’s festival with Bates as soloist on laptop: “Mason has this enormous imagination for the electronica world,” Tilson Thomas says, “extending and creating another vocabulary of sound, which complements what he’s doing with his notes and base lines and melodies. He blends these two aspects together. … It’s volatile and engaging,” says Tilson Thomas, who also cites the “sheer sensuality” of Bate’s works. “We need people like Mason for the future of our music.”.

Foothill Music Theatre, “Little Shop of Horrors.” Feb, 20-March 9, Directed by Milissa Carey, musical direction by Dolores Duran-Cefalu, choreography by Amanda Folena, Lohman Theatre, Foothill College, 12345 El Monte Road, Los Altos Hills, $10-$28, www.foothillmusicals.com or 650-949- 7360, Department of Music and Vocal Arts at Notre Dame de Namur University, “Little Women.” 7:30 p.m, Feb, 21, 22, 28, ballet slippers svg free March 1; 7 p.m, Feb, 23; 3 p.m, March 2, Notre Dame de Namur University Theatre, 1500 Ralston Ave., Belmont, $15-$25, www.brownpapertickets.com/event/553854..

Altered States: Jan. 13-March 24, Bedford Gallery, Lesher Center for the Arts, 1601 Civic Drive, Walnut Creek. Featuring artists across multiple generations living and working along the California coast who harness natural elements and the environment to create their work. Opening reception 3-5 p.m. Jan. 13. $3-$5.  www.bedfordgallery.org. Left Coast Chamber Ensemble — The Sound of Nature Concert: 7:30 p.m. Jan. 14, SF Conservatory of Music, 50 Oak St., San Francisco and 7:30 p.m. Jan. 19, Hertz Hall, UC Berkeley. A concert of works focusing on climate change and the natural world. $18-$35.  www.leftcoastensemble.org/tickets.

An International Holiday: Presented by Arete Dance Center; 8 p.m, Dec, 20; $27; www.ci.mtnview.ca.us/mvcpa, Fiesta de Navidad: A night of flamenco dancing, music and singalong carols (in Spanish); 7 p.m, Dec, 29; Rhythmix Cultural Works, Alameda; $10-$20; www.rhythmix.org, “Christmas Carols”, American Conservatory Theater: Starring acclaimed Bay Area stage actor James Carpenter; Dec, 6-28, American Conservatory Theater, San Francisco; $30-$140; www.act-sf.org, Center Repertory Company: Dec, 12-22; Lesher Center for the Arts, Walnut Creek; $27-$41; ballet slippers svg free www.centerrep.org..

That approach fares better than what Curry and Durant showed last season. Through the first seven games of the 2017-18 season, Curry averaged 27.57 points while shooting 45.9 percent from the field and 37.5 percent from 3-point range along with 2.86 turnovers. Meanwhile, Durant posted 26.28 points per game on a 52.3 percent clip. “It feels like everything is a little fresher than it was last year,” Durant said. “The enthusiasm is there every single day.”. The Warriors have become more interested in setting mini-goals both to reach success and to solve problems.