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That evening I head to the restaurant at North Beach Cottages for local specialties: taro soup with sand clam, kankum (like watercress) and coconut crab. Along with my meal, I sample taro wine, which at 38-proof resembles brandy because of its sharp burn. I drink it the local way, mixed with grape-flavored Tang. It’s definitely an acquired taste. So is the next dinner course, featuring Palau’s most notorious nosh — fruit bat. Two cooked critters about eight inches tall repose in a steamer basket, wrapped in their wings as if dressed for Halloween. Little, pointy teeth grin at me.

Two of the four bedrooms feature en suite full bathrooms, also beautifully redesigned, One bathroom has a single vessel sink vanity, shower with mosaic marble tile floor and decorative tile surround, The other master bedroom has a bay window with backyard views and a bathroom with dual floating vanities, undermounted sinks, stylish wall-mounted faucets, stunning black embellished ballet flat shoes black jutis black mojari black khussa and wall of custom cabinetry and wardrobe, A walk-in closet with custom shoe racks and organizers is behind a pocket door, The walk-in shower has dual showerheads..

Watching Frances bumble and literally stumble her way through painful life transitions is wince-inducing but never gratuitously cruel: “Frances Ha” is too warm and laugh-out-loud funny to be a cynical downer, even when its heroine acts drunk or foolish or too-desperate. Gerwig herself is too shining and kinetic a presence for the audience to believe that Frances will be chastened for long — she spends a lot of time in “Frances Ha” running, leaping and pirouetting through New York streets, not in an affected Terrence Malick-y way but in a headlong, I’m-27-and-I’m-in-New-York kind of way. She’s the radiant whirling gyre at center of a film that, thanks to alert and generous supporting performances, feels spontaneous and finely crafted at the same time.

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In director Scott Cooper’s brutal new Western “Hostiles,” which opens Jan. 5 in the Bay Area, Studi plays Yellow Hawk, an ailing Cheyenne war chief who is reluctantly escorted to his tribal homeland to die by a bigoted Army captain (Christian Bale). In an interview Studi, who lives in Santa Fe, discusses the film, Native Americans working in Hollywood, the persistence of prejudice and his dream of playing a grumpy old man. Q: You’ve been in more than a few Westerns over the years. What appealed to you about this script when you read it?.