SKU: EN-U20302
At around 2:15 p.m. Berkeley police received several calls about a fight involving 20 students in the 2200 block of Shattuck Avenue. After officers arrived, they discovered that several fights were happening at the same time in the street and found one victim, who suffered non-life threatening injuries. A 15-year-old boy was arrested on suspicion of battery. Berkeley police could not immediately say what prompted the fight. Police said there have been nine auto burglaries throughout the campus’ parking lots and structures in January.
“My wife got caught up on one side of it, and what normally takes her 15 minutes took an hour and 15,” said Vern Bruce, owner of Millbrae Lock on ballet flats for your handbag El Camino Real, Another store owner named Bob, who wanted only his first name used, described a lawless atmosphere of people making illegal U-turns on railroad tracks and others giving up and parking their cars to try to make the 1:05 p.m, Saturday start of the ballgame between the Giants and the St, Louis Cardinals, “They were walking to BART,” said the store owner, whose business is a few blocks from the Millbrae station, “What I saw was really poor, They should have had more police out on the streets, They should have had the parking meter folks out helping, If I were Caltrain, I would have said free service all day.”..
“Pure dance” can also allude to folk forms, where pattern and rhythm rule. Alexei Ratmansky’s jewellike “Seven Sonatas” (2009), the quiet, ingenious gem (and sole company premiere) in Program 6, gave folk and jazz inflections to the neoclassical language, breathing life into dependable ballet steps while also illuminating the folk nature of ballet itself. Each of the sonatas focuses on a musical element, and just as the composer, Domenico Scarlatti, explored and elegantly tinkered with his material, so Ratmansky (now American Ballet Theatre’s artist-in-residence) played with the structure and format of his dance studies to create the seamless look built on often wry and always poignant dance naturalism.
The Main Gallery: “Happenstance,” photographs by Nathalie Strand, through Feb, 11, 5-8 p.m, The Main Gallery,1018 Main ballet flats for your handbag St., Redwood City, www.themaingallery.org or 650-701-1018, Pace Gallery: “Trans-figure,” sculptures and paintings by Kohei Nawa, through Feb, 25, Pace Gallery, 229 Hamilton Ave., Palo Alto, http://www.pacegallery.com/, Palo Alto Art Center: “Through That Which Is Seen,” various artists, through April 8, “Vibrant Bay Area: An Exhibit of Plein Air Paintings” by Peninsula Outdoor Painters, Feb, 24 through March 19, reception 2-4 p.m, Feb, 24, Palo Alto Art Center, 1313 Newell Road, Palo Alto, https://www.paacf.org/..
The opening number featured pro dancer Mark Ballas making like a songbird instead of a dancer. While other pros danced around him, Mark sang “Get My Name” and then joined in for a rousing dance routine that was capped with a few more bars of the song. Of the six couples dancing, the first and last couples to the floor scooped up the sizzling scores. After finding out that they were safe to dance next week, Charlie White and Sharna Burgess led off the show with a quickstep that was the perfect vehicle for Charlie to work off the anger and frustration he showed last week after so-so scores. The two performed a terrific quickstep that was filled with fancy footwork, but head judge Len Goodman referred to last week when he told Charlie that he would let him know later if the dance “was special enough.” Both guest judge Abby Lee Miller of “Dance Moms” and judge Bruno Tonioli commented on Charlie’s musicality, with Bruno comparing him to a thoroughbred bolting out of the starting gate at the Kentucky Derby. Scores: judge Carrie Ann Inaba, 10; Len, 10 (with a sly smile); Abby, 10; Bruno, 10 = 40.
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